Academic Enrichment
Where the Light Travels: Creative Media Builds Confidence and Digital Literacy

“Soon the digital divide will not be between the haves and the have-nots. It will be between the know-hows and the non-know-hows.”
– Stanford lecturer Howard Rheingold
Where the Light Travels is an after-school enrichment class designed to integrate photography and digital media into core areas of learning such as English Language Arts and Social Science. This project supports refugee youth in San Diego, creating engagement and connection by bridging hands-on creativity with technology and art.
The need for technology and visual communication has never been more important. This was highlighted as the world was sent into isolation with the impacts of COVID-19. “We use digital photos and videos to share our understanding, to connect with our communities, and to express ourselves,” stated Jana McBeath, Media Educator and Youth Council Coordinator with Outside the Lens. Receiving a three-year grant from the McCarthey Dressman Education Foundation is allowing McBeath’s project, Where the Light Travels, to transform an elementary after school digital media class into a safe space to build confidence while increasing digital and media literacies. She has seen firsthand how having media skills to use in life can change a student’s focus from self-identity, to family, community and eventually become a new language to use worldwide.
What were the goals of the project and how were they achieved?
Where the Light Travels was implemented virtually in partnership with the San Diego Refugee Tutoring Program as an after-school class with goals to:
- integrate ELA and core academic subjects using photography, videography, animation, and mixed media
- build confidence and engagement in students and their academic subjects
- create a safe space to encourage storytelling, identity and creativity
- showcase projects at a community exhibit honoring student work from throughout the year
Craft boxes with various art supplies and props were provided, as well as sealed envelopes with project materials. iPads loaded with apps for animation, photography, digital art, film editing, and other resources were also given to each student. To help combat screen fatigue, now that all of the students were learning online every day, the focus of the projects relied on the incorporation of tactile and hands-on activities, even though the project was designed to enhance digital literacy.
Consistent engagement became one of the major components of success. This was achieved in many ways. In addition to opening the sealed project envelopes online together each week, an emphasis was put on daily connection, using digital tools like Flipgrid and Google Chat for sharing jokes, art and ideas separate from the specific project.
Students were encouraged to experiment, explore and create in their free time in whatever interested them most and report back with self-directed projects. This was an opportunity to see what interested each student most, and reinforce the ELA and Skill standards in the discussion and evaluation of each student’s work. The consistent engagement, paired with the flexibility to adapt the curriculum to address varying curiosities, concerns and interests made the pivot to a virtual afterschool program arguably more successful than originally envisioned.
What progress did they make to their goals?

The projects created by the students really speak to the progress made in this program. The confidence of the students shines throughout and the results were far reaching. From comedic YouTube videos to dance performances and tactile science experiments, all of the projects incorporated some form of digital media problem solving, verbal and written communication, which addressed the crucial ELA, 21st Century Skills and digital media literacy needs.
What challenges were experienced along the way and what are the ideas for improving the project?
The onset of COVID-19 changed the goal for creative outlets to a necessity and was the biggest challenge for the project. What was meant to be an engaging in person experience now had to be redesigned to an accessible virtual setting that still allowed for meaningful connections for students who were already spending the day learning online. A lot of inventiveness went into pivoting this project to be something joyful for the students to look forward to during what ended up being a very difficult year for them in so many ways.
How has Where the Light Travels affected the learning of students and/or teachers?
Based on feedback from the students, parents, tutors and partners of the San Diego Refugee Tutoring Program, the effect on students was solidly positive. Engagement was achieved, as well as a returning student base. The students were truly able to nurture and develop their identity using their own passions and hobbies to explore interests and curiosities using the iPads and craft kits.
Exciting plans for the Future
As the project entered its second year, still virtual, the number of participating students doubled and included all previous students from the first year. Whether the program continues online, in person, or possibly even as a hybrid, the plans for the future include continuing with the student-led curriculum, utilizing techniques to stay highly adaptable, focus on mixed media projects, introducing advanced photographic processes, and keeping the asynchronous work and connections between classes.
Additional Resources
Learn more about supporting digital literacy for learners who are refugees:
HawkWatch International: Using Hands-on, Real-life Learning to Improve Student Achievement
What were the goals of the project?
The goals of the “Cavity Nester Citizen Science Study” fall into four categories:
- To improve science proficiency in local high school students by giving students the opportunity to participate in real scientific research.
- To get students outdoors as part of their education.
- To support the community and create community awareness of cavity-nesting species.
- To learn more about the movements, environmental impacts, and causes behind declining populations of local cavity-nesting birds and what we can do to conserve these species.
How were these goals achieved?

The project team hosted professional development workshops for teachers to introduce them to the project and explain how it supports the state’s curriculum. Lesson plans in biology, statistics, and environmental science were created. The lesson plans are shareable so the project can be replicated in other schools.
Students were trained how to properly monitor next boxes and cavities. HawkWatch International led trips for students to learn about and assist with banding birds. Utilizing their new skills, students monitored nest boxes and cavities near their school, conducted weekly habitat assessments, and recorded their data observations in field journals. They formulated hypotheses, analyzed the data collected, and formed conclusions about the birds being studied. Students presented their findings in a symposium open to their peers, families and the broader community.
What challenges were experienced along the way and how were they addressed?

Like most organizations, HawkWatch International was deeply affected by the COVID-19 pandemic. Of the four schools originally involved, two had to drop the program and the remaining two temporarily closed. Since they were unable to physically visit classrooms or take students out to check nest boxes, they were forced to pivot to virtual visits. The project later transformed into a hybrid approach, providing a mix of virtual and real-life visits to classrooms.
Exciting plans for the future:
HawkWatch International hopes to eventually pilot this project outside of the Wasatch Front in Utah to reach more students and transform them into conscientious environmental stewards eager to take an active role protecting the habitats of cavity nesting birds.
Additional resources:
The Best of Buena Vista: Community Based Learning and Student Journalism

As students embarked on “the Best of BV” they strengthened writing skills, practiced responsibility and accountability. Their plan was to work with the arts council to empower students to cover local sports, art, academics, business, city government, events, nature, hiking, and personal topics on social media. This program set out to expand academic opportunities for students while improving community relations. As the students become progressive storytellers, they would also examine their community and their assumptions about it.
What were the goals of this project and how were they achieved?
The Goals of the Best of Buena Vista were to expand the current program of weekly video announcements made by and for the student body of Parry McCluer High School (PMHS). This goal was met through the Facebook edition of the Blue Library. It is where the Best of Buena Vista stories are published, read, and commented on by the school and local community. The project team created opportunities and experiences for the students to interact in an intergenerational setting allowing them to learn from community elders. Student led interviews allowed for interaction with community elders.
The team also wanted to disrupt the negative small-town mindset by engaging students in interviewing adults about their positive contributions to the community. This goal was achieved in every single story published.
The project also aimed for students to benefit economically by increasing writing skills; exercising responsibility and accountability; and improving their storytelling and communication skills. They were also very successful with this goal as students wrote articles, met deadlines, mentored one another. While doing this, they managed coordinating interviews and and publishing articles. The program was successful despite interruptions due to COVID-19.
What did the project participants learn?
The team determined students were successful with little assistance from the mentors. Since the students were prepared with questions and knew what to do it was clear that eliminating this role would help the program. They reevaluated and began using student “assistant editors.” Their main responsibility was determining what stories should be written and which students would write them as well as working with the “reporters” to edit stories turned in. They oversaw the entire process for one week’s worth of stories.
With this new plan and practice in place, they began to present to the entire student body. During presentations to individual English classes, there was a need to combat some students’ negative points of view. but many offered the response, “I didn’t know that about Buena Vista.”
What was the impact of this project?
Despite COVID-19 challenges there was overwhelmingly positive feedback about the program, from students and community members alike.
One student interviewed the town historian. He was so impressed by the experience that he chose to donate his payment to the scholarship fund in the historian’s name. Many students acknowledged how nerve wracking it was to talk to the person they were assigned. Whenever they finished, they always had a smile on their face and pointed out several things they had learned. The intergenerational interactions were key to the success of this program. Students, parents, and community members consistently liked and followed the page when each story was published.
A local supporter of the program, Dawn Dickinson, wrote about the community’s response in this way:
“The Blue Library has been a meaningful, informative asset to our school and community. Stories of people and local memories have served as a bridge to the past and allowed our student body to react to our city’s strong heritage. Student interaction with people who can share local history and lore has given our young writers a new perspective on what’s good about our small ciity…..
This grant, coupled with an enthusiastic leader, has awakened a new generation to the positive aspects of our beautiful city. The timeliness of this positivity is perfect!”
Explore Community Based Learning
Cavity Nester Citizen Science Study: Field Biology Boosts Math and Science

In 2012, HawkWatch International (HWI) created a school-based “Cavity Nester Urban Bird Study” in partnership with the Salt Lake Center for Science Education (SLCSE) in 2017. Designed to be a student-led expansion to the project, the study has allowed them to start studying all cavity-nesting birds living in urban settings.
In this project you’ll learn more about how citizen science increased student awareness related to cavity nesting species, specifically the American Kestrel, a species in decline across much of its natural range. Both the Salt Lake Center for Science Education (SLCSE) and Farmington High School participated.
What were the goals of this project?

The goals for this project were to collect data that allowed an understanding of the
survivorship and reproductive success of the American Kestrels, and to reinforce high school math and science concepts by allowing students to gain hands-on experience in field biology. Students would complete a field journal where they would record observations, collect data, and draw conclusions. They would also present their findings at a symposium open to their peers, families, and the broader community. The journals and presentations were to be shared to draw attention to the project and its benefit to local students.
How did they approach the project goals?
This goal was achieved through several visits to each classroom, a total of eight visits — focusing on project and monitoring procedures, natural history information about American Kestrels and other cavity nesters, nest check ethics, and how to determine the age of nestlings. They brought in live birds to connect students to the natural history of raptors, as well as actual monitoring equipment for the students to become familiar with the technology used and to ensure a comfort level with the process.
Participation in Large Scale Citizen Science
Working directly with the students and teachers in the classroom and in the field to practice and understand the necessary protocol to monitor the nest boxes, capture photos and videos of the activity in the boxes, and to enter their nest box data. Project leaders worked with students and teachers to learn how to use the technology employed to check the nest boxes and how to use the data platform, Jotform, to enter the data. And they participated in the regular monitoring of the nest boxes.
Journaling for students and lesson plans for teachers
They developed sixteen lesson plans related to both math and science, as well as a journal developed with teachers for students to keep track of their own data. The journal also included some valuable reference information about the American Kestrel and the nest box procedures.
How did they achieve their goals?
Through the project, three visits were offered to SLCSE and five visits to Farmington High School. These visits helped develop relationships with students and teachers. At each visit, they established an aspect of the project, covering the concepts of natural history of cavity nesters, procedures for the project, and practiced how to use the technology and equipment necessary for the project. This was accomplished using Powerpoint presentations and actual equipment in the classrooms.
Additionally, they went out with the students and teachers on nest box checks to make sure they understood the process and equipment use.
What was the impact of this project?
Here is a quote from one of the participating teachers.
“We have a student at our school who is autistic and struggles socially and academically. In an effort to provide opportunities for students of all abilities, we’ve invited this student to participate in our nest box monitoring because of his love of birds. Each week we checked the nesting boxes, and this student was required to complete all of his homework to attend because he was not actually in the statistics class. He did not miss a week. He is constantly telling me about the new information he is learning about random raptors. Just today he went out with his group to check his assigned boxes and there were some people there from Hawkwatch who were kind enough to point out some nearby raptors. His enthusiasm about birds keeps growing.” -Emma Chandler, SLCSE science teacher
Working on this allowed educators to develop and execute an in-depth citizen science program. They often only see students for one class period and then part ways, but with this project, programs were offered for teachers and students on a regular basis throughout the semester. They were able to share their passion with them and engage students in a way wherein they started looking forward to checking boxes and developing “relationships” with the nestlings in their assigned boxes. Having the students see science careers that happen outside the lab and working directly with scientists was beneficial for students in considering higher education and career opportunities in science.
What challenges did they encounter?

They budgeted for 12 cameras for Farmington High School, but had to allocate 4 of those cameras to SLCSE due to wear and tear on the older cameras. In an effort to mitigate this challenge next time, they plan to meet with the administration of Farmington High School to encourage support for allowing the students to check boxes during school hours. They will also ensure there is a camera and set up for each group, rather than a certain number per school.
The other challenge faced was ensuring timely and accurate data entry by the students. A greater focus was needed in emphasizing the importance of entering the data in a timely manner from the nest box checks. The same is true for the accuracy of the data entry by the students. A fair amount of time was spent by staff going back and verifying data entries with students and/or teachers. In the future, they plan to practice data form entries more diligently with the students prior to actually checking nest boxes in an effort to prevent these kinds of challenges moving forward.
Explore Citizen Science
Design Thinking in Middle School: A Human-Centered Approach to 21st Century Learning Vision

Technology advances at a rapid pace. So fast that it often outpaces advancements in education policy and practice. Students are often way ahead of the curve while teachers who learned pedagogical methods in days when there were many less avenues for incorporating technology into classrooms lag far behind them in terms of technological facility. This is compounded by the fact that every student learns in a different way, and with more and more options, it gets increasingly difficult to cater to the individual needs of students. This is what makes the Design Thinking in Middle School: A Human-Centered Approach to 21st Century Learning Vision project really stand out. They aim to bolster the technological aptitude of their educators while designing more individualized curriculum for their students. In pursuit of this vision for student learning, a team of teachers at Southeast Middle School applied with their Board of Education to open a magnet center on campus. The focus of this magnet center is to bring a three “I” – Interest, Impact, and Innovation- driven approach to teaching and learning.
Goals
In order to better understand where they find themselves as of their last progress report, it’s important to understand the goals they set out to accomplish.
Students will work on collaborative, cross-curricular projects that center on design thinking, a powerful learning tool that teaches students to use empathy and critical thinking to tackle problems of any kind from a human-centered point of view. In their model, the teacher’s role is to provide opportunities for discovery and to guide students to understanding through their innovation projects. The transition from a teacher-centered, depository learning framework to a student-centered, design-based learning approach requires teachers to work in a highly collaborative environment to develop cross-curricular and student-centered projects.
So, in their first year, how did they go about doing this?
Before they could start they had to answer a few key questions for themselves, and anyone looking to replicate this program would do well to do the same.
- What resources are currently available and/or necessary to obtain in order to successfully realize their stated vision?
- How might the concepts learned in the theme-based professional development activities be applied to their specific school context?
- What effect(s) might a design thinking approach to teaching and learning have on school performance, as measured by five instructional pillars (teaching) and the ISTE 21st century skill standards (learning)?
These questions guided their approach and the following methods were applied.
- Conduct a needs assessment and establish a teacher growth plan,
- Plan and implement teacher developed lessons tailored to the classroom context, and
- Evaluate the impact of the project on student learning and extract teacher learning through reflective practices.

Their first year found its focus in the first two milestones. One of their priorities this year was to help the new magnet teachers build a theoretical grounding in the foundations of design thinking in K-12 education. They found early on in the project that this looked different for every teacher, based on their subject area, experience level, and their personal interests in areas of growth. Because of these disparate levels of experience, as a team, they decided that more experienced teachers would take on a more robust menu of learning opportunities that were designed to fill in gaps in theoretical and clinical knowledge and to prepare themselves to be teacher leaders in the new school. Their primary learning focus as a teacher leader team was to increase their capacity to understand and teach in alignment with a program theme of design thinking through project-based learning.
So, a year in, where are they?
Their collection of professional development opportunities during Year One has helped teachers develop a greater capacity for executing the magnet program’s vision of developing a human-centered approach to 21st century learning. Teacher leaders are using their learnings from model school visits, workshop and trainings, and collaborative planning sessions, to develop a comprehensive instructional technology plan, to plan and implement theme-based lessons tailored to their classroom contexts, and to develop a comprehensive introductory professional development plan for novice teachers. This included the teacher leaders themselves sharing their learnings through professional development sessions that they curated from their experiences in Year One of the project.
Students were able to develop their skills as digital citizens, innovative designers, knowledge constructors, creative communicators, empowered learners, and global collaborators through design-based, project-based learning tasks throughout the school year. Additionally, they were able to showcase their learning at multiple community events at their school site and within the larger learning community of South Gate. News and pictures of the events were shared on the school website at <http://southeastms-lausdca.schoolloop.com/>. Teacher-leaders are currently designing their digital portfolios to showcase their student projects on the magnet program website <www.dreamsmagnet.org>.
But no project is without challenges. What were some that they faced?
The biggest thing they had to contend with was finding substitute teachers within the budget. This allowed the participating educators to take time off from class for professional development. This is being solved in the second year by reallocating some of the grant money to pay for that.
It’s never too late to educate yourself on the latest technology. Even though chances are, by the time you’ve mastered it there will be something new. But that shouldn’t stop us from trying to narrow the technology gap between students and educators, and this project sounds like one way to do it.
Further reading
Playmaking Puts Fundamentals in the Spotlight

LAMusArt’s Playmaking project approached their goals with a lot of ambition and spirit. Their program was an exciting one, aimed at engaging students ages 9 – 11 in the fundamentals of playwriting over the course of 10 weeks, culminating in a full scale performance of the student written plays by adult actors. It can be extremely difficult to schedule several adult actors to appear in one place at any one time, but in Los Angeles this difficulty can be compounded. So the fact that they were able to get 11 kids plays up and running cast with professional actors is something that on it’s own should be applauded.
Project Goals
But before we get into what they accomplished, let’s take a dive into what goals they set out to accomplish.
1) to give underserved students in their East Los Angeles communities a public opportunity to experience success and recognition through artistic expression, authorship, and performance regardless of race or gender.
2) to aid the growth and development of each student’s important life skills, including their cognitive and emotional evolution, and their creative, academic, social, and behavioral progress by way of artistic opportunities.
3) to validate each student’s unique voice by giving them an opportunity to tell and see their own stories about their respective experiences.
4) to bridge the gap between our community and the life-affirming power of the arts, which they’ve been traditionally barred from due to barriers like language, finances, and exposure.
5) to provide students with the academic attention they lack in public schools, including inclusive and enriching creative programs and better student/adult ratios.
4) to increase student learning in fundamental theater concepts and practices.
Now, a number of these goals seem a bit hard to quantify. Many of which won’t be fully known until long after the student has left the program. But, you might be surprised by the results that the parents are reporting. But we’ll get to that shortly.
So how did they accomplish their goals?
Over the course of 10 weeks, each student kept a notebook of their weekly writing exercises, vocabulary lessons, and understanding of key concepts. Each student was able to grasp these exercises, as proven by the completion of their original plays. Although some plays were more complex than others, every student completed a play with at least two characters and a central conflict between those characters. The driving idea that was used to emphasize dramatic storytelling was “Want. Conflict. Change.” They started the course by establishing that every character must have a strong want or wish. To move the story forward, they put characters with different wants in a scene together to establish a high-stakes conflict, in which the characters want to get in the way of each other. To resolve the story, they needed a change, from either one or both characters, or an outside force. The idea of “Want. Conflict. Change.” was interpreted in different ways by each student, resulting in wildly different, but entirely vibrant and entertaining works. And having personally attended the event I can say that what resulted was a wildly surreal night of shows. Even though their concepts were simple… or often nonsensical (like the boy and his friend, and a slice of pizza) what they demonstrated was unfiltered creativity. It’s not often that playwrights get to write without self consciousness, and while it’s doubtful that they approached it without self doubt — the final product betrayed a sense of fun, unfettered imagination, and clear encouragement to tell the story they want to tell.
So where are the students now and how are they doing?
According to reports from the parents, the students have seen vast improvement in all areas that the program set out to address.
- 100% said they would recommend the program to others;
- 100% said that the elementary school their student attends does not offer a program similar to Playmaking, which tells us the program is unique and needed in the community;
- 100% said their student’s literacy and writing skills developed over the 10 week course;
- 100% said their student’s listening skills developed over the 10 week course; and
- 100% said their collaboration and creativity skills developed over the 10 week course.
Now, I’m no math teacher, but 100% returns across the board seems to me to be pretty good results. If not pretty great.
But no program is without its challenges. How can this one improve?
The most notable challenge was the coordination of rehearsal time for all eleven groups of adult actors and directors. It was difficult to fit adequate rehearsal time for all eleven plays into a two week period, causing them to schedule additional rehearsals with actors and a prolonged tech period in the theater space.
Another challenge they faced was giving the composer sufficient time to compose an original song for each play. Because the songs and plays were not written until Play Day, the composer was unable to read the plays and lyrics until a day before the first rehearsal, giving barely enough time to compose a new piece. They believe this can be improved by having the composer present on Play Day to aid the students in writing their lyrics. This will also give the composer a better idea of what the student has in mind stylistically for their song.
Completely surmountable challenges aside, this program seems to have legs that are going to carry it into the future and help improve the confidence, writing, and collaboration skills for any students involved.
Learn more
Cigar Box Odyssey: Enriching Creative Process Skills
Fourth graders stimulate the thinking processes involved in creativity through an Academic Enrichment Grant

As we face many challenges in educating our children, it is important to emphasize creative thinking and problem solving. Creative thinking and problem-solving are essential parts of the process to turn ideas into innovation and open up avenues to creativity.
What were the goals of the Cigar Box Odyssey project?
The overall goal of the Cigar Box Odyssey project was to teach creativity by integrating the Outcomes of their gifted program with the Objectives of their Fourth Grade Curriculum. Their goal was achieved by emphasizing the gifted process skills of performance, presentation, research, creativity, self-directed learning, group dynamics, and understanding and creating art. The students analyzed the creative process used by musicians to design the cigar box guitar using the SCAMPER (Substitute; Combine; Adapt; Modify; Put to another use; Eliminate; Reverse) technique.

What is the SCAMPER technique?
The SCAMPER technique (introduced Bob Eberle, as described in the design thinking blog, Designorate, by Rafiq Elmansy) is based on the idea that what is new is actually an adaptation of something that already existed. It is considered one of the easiest and most direct methods to creative thinking. The SCAMPER keywords noted above represent the necessary questions students should address during the creative thinking process. For example, for Substitute one could ask, “What part of the process can be substituted without affecting the whole project?” or for Combine, one could ask, “Can we merge two steps of the process?”
- Project caption “We begin research and building guitars at the same time. We use sites like PBS Blues Road Trip and Carnegie Hall History of the Blues.”
What skills did students use to build their Cigar Box Guitars?

The students researched the origin of the Delta Blues and how the Blues form travelled and changed, influencing other American music forms. They used measuring skills, basic knowledge of sound, and creative principles to build their own cigar box guitars. Then the students wrote original songs and performed them in a Blues Café that was set up in their classroom.
The students attended the New Orleans Cigar Box Guitar Music Festival where they were well received and able to meet professional performers. And, to top it off they have been invited to perform at the Festival next year. To prepare for their performance, they plan to invite T. J. Wheeler, creator of the Blues in Schools program, to College Park and help the students prepare for this performance. He taught this year’s fourth graders a few things in just a short time at the festival.

How has this program affected learning?
Because of this program the students have experienced the intersection of research and reality. They have had a taste of living what they researched and were exposed to adults who built the same instruments and performed the same kind of music. They were also able to extend the program to include some cutting-edge technology by 3D printing their own guitar picks.
So, what’s next for the students?
With the purchase of a 3D printer students will learn how to program CAD and create (not just print) their own picks. So, both the technology and the performance components of the program will be lifted to a higher plane when they learn to program CAD and perform formally in front of a festival audience.
Further reading: